The idea of that series of works is “The Open”, as was understood by Rainer Maria Rilke.

Rilke suggests that animals enjoy direct access to a realm of being—the open—concealed from humans by the workings of consciousness and self-consciousness. In his own reading of Rilke, Martin Heidegger reclaims the open as the proper domain of human existence but suggests that human life remains haunted by vestiges of an animal-like relation to its surroundings.

These works were part of the exhibition in the “Corretger 5 gallery”, in 2010. They were made in different techniques: pen, ink, collage and digital painting.